Raising the Dust

To Mary Augusta Ward, Sarah Grand, and Charlotte Perkins Gilman housekeeping represents responsibilities in making the food supply safe, reforming politics, and improving the human race itself. Raising the Dust places their writing in the context of the late-Victorian era, in particular the eugenic movement, the proliferation of household conveniences, the home economics focus, and decreased reliance on servants.

“" Raising the Dust is a scrupulously careful and deeply useful book. Sutton-Ramspeck daringly brings together disparate fields: American and British literature, progressive and conservative authors, domestic science and aesthetic paeans, cultural history and fiction. This interdisciplinary work, impressive in its own right, produces some quite exciting juxtapositions."--Talia Schaffer, author of The Forgotten Female Aesthetes: Literary Culture”

"Raising the Dust is a scrupulously careful and deeply useful book. Sutton-Ramspeck daringly brings together disparate fields: American and British literature, progressive and conservative authors, domestic science and aesthetic paeans, cultural history and fiction. This interdisciplinary work, impressive in its own right, produces some quite exciting juxtapositions."

Beth Sutton-Ramspeck is associate professor of English at the Lima campus of Ohio State University. She is the editor, with Nicole B. Meller, of Marcella, by Mary Augusta Ward.

Raising the Dust identifies a heretofore-overlooked literary phenomenon that author Beth Sutton-Ramspeck calls "literary housekeeping." The three writers she examines rejected turn-of-the-century aestheticism and modernism in favor of a literature that is practical, even ostensibly mundane, designed to "set the human household in order." To Mary Augusta Ward, Sarah Grand, and Charlotte Perkins Gilman, housekeeping represented public responsibilities: making the food supply safe, reforming politics, and improving the human race itself. Raising the Dust places their writing in the context of the late-Victorian era, in particular the eugenics movement, the proliferation of household conveniences, the home economics movement, and decreased reliance on servants. These changes affected relationships between the domestic sphere and the public sphere, and hence shaped the portrayal of domesticity in the era's fiction and nonfiction. Moreover, Ward, Grand, and Gilman articulated a domestic aesthetic that swept away boundaries. Sutton-Ramspeck uncovers a new paradigm here: literature as engaging the public realm through the devices and perspectives of the domestic. Her innovative and ambitious book also connects fixations on cleaning with the discovery of germs (the first bacterium discovered was anthrax, and knowledge of its properties increased fears of dust); analyzes advertising cards for soap; and links the mental illness in Gilman's "The Yellow Wall-Paper" to fears during the period of arsenic poisoning from wallpaper.

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