This book addresses the significance of the mother-infant relationship in Percy Bysshe Shelley's poetry and life, with Shelley as as the focus for a study of the rich historical and theoretical issues relevant to motherhood in the Romantic period. (Poetry)
This book addresses the significance of the mother-infant relationship in Percy Bysshe Shelley's poetry and life, with Shelley as as the focus for a study of the rich historical and theoretical issues relevant to motherhood in the Romantic period. (Poetry)
The subject of Gelpi's new book is the importance of the mother-infant relationship in Percy Bysshe Shelly's poetry and life. However, her book also uses Shelley as a touchstone by which to examine the rich historical and theoretical issues relevant to motherhood in the Romantic period. Gelpi offers a detailed account of the historical rise in attention paid to mothering, the changing cultural attitudes towards the role of the mother, and the resulting effect on thenature of family life. She further discusses the psychoanalytic, Marxist, and developmental approaches to the mother/infant relationship, particularly to the connection each makes between thatrelationship and the acquisition of language. By combining psychoanalytic, poststructuralist and feminist theory with extensive biographical material on Shelley and information on the position of mothers in England after 1790, Gelpi offers an important reassessment of Shelley's avowed feminism and the failure of his utopian vision.
“"Shelley's Goddess is an important, powerful, even revolutionary study ofthe poet and his response to the ideologies of motherhood in the earlynineteenth century. It combines biography, close reading, source study,extensive historical research in primary documents, a sensitive use ofpsychoanalysis, and a rich, well-grounded feminist understanding--all to goodeffect. No one interested in Shelley, English Romanticism, or thegender-politics of that post-revolutionary time can afford to ignore this majorbook. It is by far the most important feminist reading of Shelley that wehave."--Jerrold E. Hogle, University of Arizona”
"Engaging....Her study can be highly original, and even at points enthralling....There is an unmistakable sense of daring, of risk, of passionate engagement in her writing which is impressive, and even moving."--The New York Review of Books"A fine coalescence of feminist criticism and interesting, sometimes brilliant, readings."--Edward Dramin, Iona College"Shelley's Goddess fearlessly contemporary in its demands on Shelley. Gelpi has produced what is today quite rare in mainline criticism, a work that attempts freshly to rethink an array of issues concerning Shelley from a contemporary intellectual's standpoint....From its just and accurate learning in eighteenth-century resources to its acute scrutiny of modern psychoanalytic constraints on the feminine, this study deserves accolades for range,originality, and insight."--Stuart Curran, University of Pennsylvania"Shelley's Goddess is an important feminist revision of a major canonical figure, of the cultural tradition that has inscribed literary criticism, and of that literary criticism itself. Gelpi's linkage of psychoanalytical, biographical, sociological, and historical approaches is thoughtful and timely. It both continues a tradition of feminist thought and breaks new ground. Her connection of the ideologies of the maternal and the aesthetic indeed hasconsequences for every possible area of human activity."--Laurie Langbauer, Swarthmore College"Barbara Gelpi's Shelley's Goddess is an extremely sophisticated analysis of the ideology of maternity as it developed both in the cultural discourse of eighteenth-century England and in modern psychoanalytic theory....Gelpi provides a fascinating and compelling account of the development of the eroticization of the mother...in eighteenth-century British society and in the Shelley household in particular."--Anne Mellor, University of California,Los Angeles"Engaging....Her study can be highly original, and even at points enthralling....There is an unmistakable sense of daring, of risk, of passionate engagement in her writing which is impressive, and even moving."--The New York Review of Books"A fine coalescence of feminist criticism and interesting, sometimes brilliant, readings."--Edward Dramin, Iona College"Shelley's Goddess fearlessly contemporary in its demands on Shelley. Gelpi has produced what is today quite rare in mainline criticism, a work that attempts freshly to rethink an array of issues concerning Shelley from a contemporary intellectual's standpoint....From its just and accurate learning in eighteenth-century resources to its acute scrutiny of modern psychoanalytic constraints on the feminine, this study deserves accolades for range,originality, and insight."--Stuart Curran, University of Pennsylvania"Shelley's Goddess is an important feminist revision of a major canonical figure, of the cultural tradition that has inscribed literary criticism, and of that literary criticism itself. Gelpi's linkage of psychoanalytical, biographical, sociological, and historical approaches is thoughtful and timely. It both continues a tradition of feminist thought and breaks new ground. Her connection of the ideologies of the maternal and the aesthetic indeed hasconsequences for every possible area of human activity."--Laurie Langbauer, Swarthmore College"Barbara Gelpi's Shelley's Goddess is an extremely sophisticated analysis of the ideology of maternity as it developed both in the cultural discourse of eighteenth-century England and in modern psychoanalytic theory....Gelpi provides a fascinating and compelling account of the development of the eroticization of the mother...in eighteenth-century British society and in the Shelley household in particular."--Anne Mellor, University of California,Los Angeles"Shelley's Goddess is an important, powerful, even revolutionary study of the poet and his response to the ideologies of motherhood in the early nineteenth century. It combines biography, close reading, source study, extensive historical research in primary documents, a sensitive use of psychoanalysis, and a rich, well-grounded feminist understanding--all to good effect. No one interested in Shelley, English Romanticism, or the gender-politics of thatpost-revolutionary time can afford to ignore this major book. It is by far the most important feminist reading of Shelley that we have."--Jerrold E. Hogle, University of Arizona"Gelpi's achievements are considerable and impressive....She significantly advances feminist criticism of Shelley....Shelley's Goddess is...a learned, important, and stimulating contribution to Shelley studies. It also provides a commanding model for any critic interested in rethinking romanticism historically."--South Atlantic Review"Provocative, eccentric, and aggressively argued....A fine resource for future inquiry."--Keats-Shelley Journal"She brilliantly interprets and evaluates Shelley's poetic drama Prometheus Unbound. She presents this study, as impressive in scholarship as in speculative risks, to aid that enterprise."--Southern Humanities Review"No reading of Shelley's text with which I am familiar has better succeeded in penetrating a highly vulnerable masculine subjectivity impaled upon its own fear of dissolution."--Studies in Romanticism
Barbara Charlesworth Gelpi is Professor of English at Stanford University, where she has taught since 1968. She is the author of Shelleyis Goddess: Maternity, Language, Subjectivity and Dark Passages: The Decadent Consciousness in Victorian Literature, as well as numerous articles on, mainly, feminist and psychological literature. She is an editor of several important volumes, including Feminist Theory: A Critique of Ideologies and Women and Poverty.
The subject of Gelpi's new book is the importance of the mother-infant relationship in Percy Bysshe Shelly's poetry and life. However, her book also uses Shelley as a touchstone by which to examine the rich historical and theoretical issues relevant to motherhood in the Romantic period. Gelpi offers a detailed account of the historical rise in attention paid to mothering, the changing cultural attitudes towards the role of the mother, and the resulting effect on the nature of family life. She further discusses the psychoanalytic, Marxist, and developmental approaches to the mother/infant relationship, particularly to the connection each makes between that relationship and the acquisition of language. By combining psychoanalytic, poststructuralist and feminist theory with extensive biographical material on Shelley and information on the position of mothers in England after 1790, Gelpi offers an important reassessment of Shelley's avowed feminism and the failure of his utopian vision.
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