One Billion Years to the End of the World, 9780241472477
Paperback
Scientific discovery meets absurd Soviet bureaucracy, threatening Earth’s fate.

One Billion Years to the End of the World

$25.37

  • Paperback

    176 pages

  • Release Date

    19 October 2020

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Summary

One Billion Years to Oblivion: A Soviet Sci-Fi Conspiracy

Astrophysicist Dmitri Malianov is on the verge of a Nobel Prize-winning discovery. But his breakthrough is threatened by a series of bizarre and improbable distractions.

Across Leningrad, Dmitri’s scientific colleagues face similar mysterious interruptions, each on the cusp of their own eureka moment. Are they paranoid, or is a malevolent force conspiring against them?

A darkly funny satire from two Russian ma…

Book Details

ISBN-13:9780241472477
ISBN-10:0241472474
Series:Penguin Science Fiction
Author:Arkady Strugatsky, Boris Strugatsky
Publisher:Penguin Books Ltd
Imprint:Penguin Classics
Format:Paperback
Number of Pages:176
Release Date:19 October 2020
Weight:107g
Dimensions:182mm x 111mm x 11mm
What They're Saying

Critics Review

One of the Strugatsky brothers is descended from Gogol and the other from Chekhov, but nobody is sure which is which … A beautiful book

One of the Strugatsky brothers is descended from Gogol and the other from Chekhov, but nobody is sure which is which … A beautiful book – Ursula K. Le GuinOne of the best and most provocative novels I have ever read, in or out of sci-fi – Theodore SturgeonThey open windows in the mind and then fail to close them all, so that, putting down one of their books, you feel a cold breeze still lifting the hairs on the back of your neck. * The New York Times *

About The Author

Arkady Strugatsky

Arkady Strugatsky (1925 - 1991) and Boris Strugatsky (1933 - 2012) are Russia’s most acclaimed and popular science-fiction writers. Their unique style - at once hilarious and pitch black - encompassed a remarkable variety of different genres- from space opera to alien invasion, from locked-room mystery to dystopian apocalypse. While their initial output was uncritical of Soviet life, over time their work became much more subversive - science fiction being the perfect vehicle to hide their critiques from censors. In 1981 they shared the Aelita Award, Russia’s most prestigious science-fiction prize.

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