Mary Pratt

Winner, New Brunswick Book Award (Non-Fiction) and APMA Best Atlantic-Published Book Award

Mary Pratt’s art has captivated millions of Canadians. Her luminescent paintings capture reality in a way that few artists have been able to achieve — the chip in a glass bowl, the play of light across a dish-strewn supper table, the vulnerability of a naked woman. Replete with symbolism, Pratt’s work elevates the traditional still life by transforming the everyday into the iconic.

Art historian Anne Koval wrote Mary Pratt: A Love Affair with Vision in close consultation with Pratt. The book is informed by extensive interviews with the artist, and her family, friends, and colleagues and by unprecedented access to Pratt’s archival holdings at Mount Allison University. This in-depth study of Pratt’s life and work explores the complex issues of gender, feminism, and realism in Canadian art, resulting in a richly layered biography of an artist who redefined the visual culture of her period and whose art and life intersect in varied and surprising ways.

Winner of New Brunswick Book Award (Non-Fiction) 2024 (Canada) Winner of APMA Best Atlantic-Published Book Award 2024 (Canada)

“Incandescent, a word often applied to Mary Pratt’s paintings, perfectly describes this engrossing biography. Mary Pratt: A Love Affair with Vision brings together the artist’s archives with deeply intimate interviews and exquisite reproductions of her photorealist paintings. Pratt, an iconic painter of light on food and objects in the grand tradition of Chardin, springs to life, blessed with a sublime interpreter in Koval.” -- Molly Peacock, author of Flower Diary
“Illustrated throughout with full color imagery, Mary Pratt: A Love Affair with Vision is an extraordinarily informative biography of an extraordinary artist and will be well received by her legions of fans.” -- James E. Fisher Midwest Book Review

Anne Koval is Professor of Art History, Museum and Curatorial Studies at Mount Allison University. She is the author of Mary Pratt: A Love Affair with Vision, Whistler in His Time, and the co-author of James McNeill Whistler: Beyond the Myth. She has written on Anna Torma for the Textile Museum of Canada and her writing on contemporary art has appeared in several edited volumes, including Stitching the Self: Identity and the Needle Arts, More Caught in the Act: An Anthology of Performance Art by Canadian Women, and The Radcliffe Line and Other Geographies: Sarindar Dhaliwal, which includes a series of ekphrastic poems by Koval. She has curated exhibitions at the Owens Art Gallery, the Mendel Art Gallery, the Banff Park Museum, and the Confederation Centre Art Gallery, which included the work of Ed Pien, Merle McMaster, D’Arcy Wilson, Diana Thorneycroft, Aganetha Dyck, Barb Hunt, Jeannie Thib, Janice Wright Cheney, Cindy Sherman, and Sylvia Plath.

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