
Vermeer
A Life Lost and Found
$68.00
- Hardcover
416 pages
- Release Date
28 October 2025
Summary
A revelatory new biography of the enigmatic Dutch artist, published to coincide with the 350th anniversary of his death.
The paintings of Johannes Vermeer of Delft are some of the most beautiful, even sublime, in the history of art. Yet like the life of Vermeer himself, they are mysterious and have for centuries defied explanation. Following new leads, and drawing on a mass of historical evidence, some of it freshly uncovered in the archives of Delft and Rotterdam, Andrew Graham-Dixon…
Book Details
| ISBN-13: | 9781846147104 |
|---|---|
| ISBN-10: | 1846147107 |
| Author: | Andrew Graham Dixon |
| Publisher: | Penguin Books Ltd |
| Imprint: | Allen Lane |
| Format: | Hardcover |
| Number of Pages: | 416 |
| Release Date: | 28 October 2025 |
| Weight: | 734g |
| Dimensions: | 241mm x 164mm x 40mm |
What They're Saying
Critics Review
Vermeer: A Life Lost and Found is a powerfully persuasive investigation into the intellectual and devotional world of Vermeer and his circle. Painting by painting, the riddle of the Sphinx is masterfully unravelled … [Andrew Graham-Dixon] trawls the archives, lays out new evidence, links pictures never linked before, and teases new meaning from signs, symbols and sitters … His reading of the paintings is revelatory – Laura Freeman * The Times *Densely researched and highly original …. this book is an extraordinary portrait, flooded with light and colour, and a splendid unfolding of the pressure of meaning in everyday life; in other words, it emulates the special charge of Vermeer’s paintings – Kathryn Murphy * Literary Review *Graham-Dixon puts forward a revolutionary theory… Right, or wrong, it is a theory that will change the way people look at that famous pearl earring, as well as at the painter’s other luminous portraits of lone women – Vanessa Thorpe * Observer *With the skill of a good showman and the meticulousness of a scholar, [Graham-Dixon] …. sets out to illuminate the elusive life of Johannes Vermeer [and] to solve the riddle of the “Girl” herself …. In his quest to decode Vermeer’s work, he draws together a piercingly analytical gaze and some well-informed speculation … There are few better writers to take on the task – Evgenia Siokos * Telegraph *Andrew Graham-DIxon is that rare thing - a tireless scholar and critic who looks beyond the analysis and appreciation of art into its very soul … [his] book seems to be driven by what other works on the artist lack: passion. Anyone who loves art with warm to the beguiling, personal nature of this beautifully written narrative … this is art history as an imaginative leap into a world in which the enlightenment was the only bulwark against chaos, and toleration was - and still is - necessary for civilisation. – Bel Mooney * Scottish Mail *Eloquently argued, engagingly written and ultimately rather moving – Michael Hall * Country Life *
Challenging existing scholarship, Graham-Dixon has a radical new sense ofVermeer [that] focuses afresh on the artist’s social networks and the history and religion of the Dutch Republic
– Sam Phillips * Arts Society Magazine *Graham-Dixon is an experienced and diligent writer on art, and the book contains much absorbing factual information about Vermeer’s mysterious life and his circle … [it] attempts to return Vermeer to his own period – Philip Hensher * Financial Times *This book is going to revolutionize the way we understand Vermeer. I read it slowly, feeling ‘like some watcher of the skies when a new planet swims into his ken’. How extraordinary to realise that things are not the way you have imagined all your life – Peter Carey, twice winner of the Booker PrizeThis is a phenomenal book. The research and originality are staggering, suddenly creating a coherent character simply out of understanding the religious, social and political setting properly. I was utterly absorbed by it – Diarmaid MacCulloch, author of Lower than the AngelsAbout The Author
Andrew Graham Dixon
Andrew Graham-Dixon is an art historian, biographer and broadcaster who has made more BBC television series about art than any other presenter. He was for many years the main art critic of the Sunday Telegraph and Independent. Of his biography of Caravaggio, Peter Carey said ‘it is a thrilling lesson in the art of seeing’ and Neil MacGregor wrote ‘the man and his work emerge enriched and enlightened.’ It has been translated into many languages.
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