HR Giger. 45th Ed.

Across 500 pages, all facets of the mysterious Grisons shine with a black glow. * 24 Heures *H.R. Giger was the Hieronymus Bosch of modern times. A giant in every sense of the word. * Rolling Stone *At its essence, Giger’s art digs down into our psyches and touches our very deepest primal instincts and fears. His art stands in a category of its own. The proof of this lies in the intensity of his work and imagination, which I can only compare to Hieronymus Bosch and Francis Bacon in their powers to provoke and disturb. * Ridley Scott *A magnificent volume, a lovingly designed homage that does justice to the significance of this artist… * Weltwoche *A disturbingly beautiful tribute to H.R. Giger’s nightmarish work. * Wired *

Andreas J. Hirsch, born 1961 in Vienna, is an author, curator and artistic photographer. His writings include books on Pablo Picasso, Tina Modotti, Friedensreich Hundertwasser and HR Giger. From 2009 to 2014, he was curator at the KunstHausWien and organized exhibitions on Henri Cartier-Bresson, Linda McCartney and HR Giger, among others.

HR Giger (1940–2014) was a Swiss painter, sculptor, and designer, who combined surrealist influences and dark fantasies to create his very own biomechanical universe. He first received acclaim in the 1960s with his airbrushed fantasies of post-apocalyptic creatures and landscapes, and rose to fame through high profile movie work, most notably the creation of the monster in Alien, which won the Academy Award for Best Visual Effects.

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include the Collector’s Editions Jeff Koons, Christopher Wool, Albert Oehlen, Neo Rauch, Ai Weiwei, Beatriz Milhazes, Julian Schnabel, Georg Baselitz, Glenn Brown, the David Hockney SUMO A Bigger Book, as well as monographs such as the XXL-sized Jean-Michel Basquiat.