This Element shows in Beckett, being is dignified, amid aimless walks entangling bare life.
Samuel Beckett's literary pedestrianism transitions from Romanticism and Edwardian autonomy to mutuality and transitory being. The walk serves as a motif, rhythm, compositional principle, and ontology. This Element examines the Beckett walk using cognitive, materialities, environmental, infrastructure, cultural, and performance studies.
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This Element shows in Beckett, being is dignified, amid aimless walks entangling bare life.
Samuel Beckett's literary pedestrianism transitions from Romanticism and Edwardian autonomy to mutuality and transitory being. The walk serves as a motif, rhythm, compositional principle, and ontology. This Element examines the Beckett walk using cognitive, materialities, environmental, infrastructure, cultural, and performance studies.
Description
Walking is a determining trope and structure in Samuel Beckett's oeuvre, furnishing a textual and performance figure, a framing device, and a material practice. The walk begins as a motif, becomes a rhythm, expands into a compositional principle, and culminates in an ontology -- a defining means by which his characters are cognitively embodied and by which meaning is grounded. The book contends that Beckett's literary pedestrianism involve passage from an evasive and narcissistic vestige of Romanticism and a solipsistic variation on Edwardian autonomy to an embrace of mutuality and transitory being: life not as a network of stations so much as a meshwork of ways, peripatetic coming and going as the basis of human possibility and ethical value. The study examines the Beckett walk with reference to, for instance, cognitive theory, materialities theory, environmental studies, infrastructure theory, cultural and literary history, speech-act theory, mobility studies and performance studies.
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