The Forgotten Qur'ans of the Eastern Islamic World, 9781399512411
Hardcover
Lost Qur’ans reveal a vibrant, forgotten chapter in Islamic art.
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The Forgotten Qur'ans of the Eastern Islamic World

Manuscripts of the Ghaznavid and Ghurid Dynasties, 11th-12th Centuries CE

$491.40

  • Hardcover

    400 pages

  • Release Date

    6 August 2026

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Summary

The Ghaznavid and Ghurid Qur’ans (c. eleventh-Twelfth centuries CE), studied for the first time as a corpus, inform of how the Qur’an was copied at the beginning of a transformative period in the history of its production when paper, new scripts and the vertical format were adopted. As the book illustrates the ways in which local visual trends were shaped out of diachronic and synchronic multidirectional movement within a medieval landscape that was continuously in flux, it shifts the focus t…

Book Details

ISBN-13:9781399512411
ISBN-10:1399512412
Author:Alya Karame
Publisher:Edinburgh University Press
Imprint:Edinburgh University Press
Format:Hardcover
Number of Pages:400
Release Date:6 August 2026
Weight:0g
Dimensions:244mm x 170mm
Series:Edinburgh Studies in Islamic Art
What They're Saying

Critics Review

The Forgotten Qur’ans is a compelling survey of aesthetics in the service of piety that offers a transformative perspective on calligraphy and the material Qur’an. It illuminates a neglected tradition of artistic creativity in the book arts of the Ghaznavid and Ghurid sultanates of Afghanistan, no less dynamic and innovative than that witnessed in their spectacular architectural projects. Challenging the hegemony enjoyed by a few select cities in standard histories of Islamic art, the book questions established notions of centre and periphery, inviting us to reconsider their legacies to the field. – Finbar Barry Flood, New York UniversityAlya Karame offers a pioneering study of the production of Qurʾan manuscripts in the eastern part of the Muslim world in the eleventh and twelfth centuries. For the first time, the book provides a comprehensive overview of material that has never before been the subject of such a wide-ranging study. – François Déroche, Collège de France

About The Author

Alya Karame

Alya Karame is a Research Associate at the Orient-Institut Beirut. She specialises in Islamic art and material culture, with a focus on manuscript studies. In 2023, she was a fellow of the Aga Khan Program for Islamic Architecture at Harvard University to be later supported by the Paris Région award to pursue her research at the Institut des civilisations at the Collège de France. Her work has been supported by numerous grants, including the Arab Funds for Arts and Culture and the Andrew Mellon foundation (2019-2020). She was at the Khalili Research Centre at the University of Oxford, the recipient of the Barakat Trust award (2018-2019) and prior to that she joined the Kunsthistorisches Institut research program in Florence Connecting Art Histories in the Museum and was based at the Museum of Islamic Art in Berlin (2017-2019). Karame obtained her PhD in 2018 in Islamic Art History from the University of Edinburgh and her MA in History of Art & Archaeology from the School of Oriental and African Studies.

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