
The Modern Arabic Fantastic
$491.40
- Hardcover
328 pages
- Release Date
31 July 2026
Summary
The rich and lengthy Arabic corpus of fantastic fiction is one hidden in plain sight. In more broad studies of both fantastic fiction and Arabic literary and cultural history, it is notably absent. It is rarely, if ever, read as a corpus, much less as one with a rich, meandering, and turbulent history.
As fantastic modes have risen in global popularity over the past two decades, this book joins the revisionist wave of exciting critical interventions questioning the cornerstones of cul…
Book Details
| ISBN-13: | 9781399556033 |
|---|---|
| ISBN-10: | 1399556037 |
| Author: | Alexandra Shraytekh |
| Publisher: | Edinburgh University Press |
| Imprint: | Edinburgh University Press |
| Format: | Hardcover |
| Number of Pages: | 328 |
| Release Date: | 31 July 2026 |
| Dimensions: | 234mm x 156mm |
| Series: | Edinburgh Studies in Modern Arabic Literature |
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What They're Saying
Critics Review
This original and transformative book will become the necessary starting reference for Arabic literary scholars working on speculative fiction. I expect it will even inspire some contemporary Arab novelists who engage with criticism in English and want to better understand the roots and ramifications of their own literary practice. – Margaret Litvin, Boston University
Shraytekh provides a refreshing critique of the canons and taxonomies of modern Arabic literature – her method is an adroit mix of structuralist poetics, psychoanalysis and historicism. The book’s use of genre, particularly the genres of gothic and the fantastic, to perform a set of contrapuntal readings will offer important new insights into the Arabic literary historical tradition. – Samah Selim, Rutgers University
About The Author
Alexandra Shraytekh
Alexandra Shraytekh is Mellon-Bridge Assistant Professor of Arabic and International Literary and Visual Studies at Tufts University. Her academic publications include articles and book chapters on Gothic literature; magical realism; Arab-Jewish cinematic traditions; and imaginaries of the nation. Her Arabic novels have been translated to English, French, and German. She is a recipient of the Creative Capital Award (2022-2027) and was the Ellen von der Heyden Fellow at the American Academy in Berlin (2022).
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