
Kant on Pleasure and Judgment
a developmental and interpretive account
$92.92
- Paperback
233 pages
- Release Date
14 August 2025
Summary
Kant’s Dance: Pleasure, Judgment, and the Shaping of Morality
Were there interactions between the development of Kant’s aesthetics and the development of his moral philosophy? How did Kant view pleasure and displeasure, and what role did they play in the formation of his system of the faculties?
In this book, Alexander Rueger situates Kant’s account of pleasure and displeasure in its eighteenth-century context, with special attention to Leibniz, Wolff, Crusius, and Mendelsso…
Book Details
ISBN-13: | 9781009380379 |
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ISBN-10: | 1009380370 |
Author: | Alexander Rueger |
Publisher: | Cambridge University Press |
Imprint: | Cambridge University Press |
Format: | Paperback |
Number of Pages: | 233 |
Release Date: | 14 August 2025 |
Weight: | 0g |
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What They're Saying
Critics Review
‘Alexander Rueger offers an innovative and thoroughgoing study of pleasure and judgment (and much more) in Kant’s third Critique. The informative earlier parts of the book lay the ground for original discussions of morality, symbolism, genius, and art. In addition, his analysis unfolds with admirable attention to the development and sources of Kant’s thought.’ Robert Clewis, Gwynedd Mercy University‘… offers abundant important insights on the role of the productive imagination in aesthetic judgment and the theoretical use of the understanding that will surely reward Kant scholars of both the theoretical and practical stripe. Given the breadth of Rueger’s historical research, sections of the book will also well serve early modernists and those interested in eighteenth-century aesthetics … the book’s findings extend well beyond the bounds of this area of specialization.’ Ekin Erkan, The Review of Metaphysics
About The Author
Alexander Rueger
Alexander Rueger is Professor Emeritus in the Department of Philosophy at the University of Alberta. He has published widely in the history and philosophy of science and on Kant’s aesthetics.
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