Auckland, one summer weekend. A family fused together by the energies of multicultural Aotearoa New Zealand faces meltdown as tensions build between migrant and New Zealand-born generations, and between Samoan, Maori and Palagi family mambers.
Auckland, one summer weekend. A family fused together by the energies of multicultural Aotearoa New Zealand faces meltdown as tensions build between migrant and New Zealand-born generations, and between Samoan, Maori and Palagi family mambers.
The Songmaker's Chair tells of a Samoan family, the Aiga Sa Peseola, who have been in Auckland since the 1950s. Over three generations the family have intermarried with M ori and Pakeha to develop what they refer to as the Peseola Way. Central to that Way is the magnificent Polynesian exploration and settlement of the Pacific, and a songmaking tradition which Peseola Olaga, the family patriarch has inherited from his father. At the heart of the play is the love between Peseola Olaga and Malaga, his wife, and how they've struggled to give their children a good life in Aotearoa. For theirs is the Peseola Way: defiant, honest and unflinching even in the face of death.
Acclaimed Samoan-born novelist Albert Wendt has been an influential figure in the developments that have shaped New Zealand and Pacific literature since the 1970s, writing numerous works of fiction and several volumes of poetry, and editing notable anthologies of Pacific literature. He is a professor of New Zealand literature at the University of Auckland. The Songmaker's Chair is his first full-length play.
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