Diary of a Foreigner in Paris

”[The original texts] present significant challenges in terms of grammar, lexis and style. All the translators were able to transfer beautifully and accurately the poetic tones, while retaining the content of the original texts.’ —John Florio Prize Shortlist Citation, The Society of Authors

“This gossipy, free-flowing diary is a chronicle of Paris in 1947, when, still shadowed by his fascist history, Malaparte rejoined the bohemian elite with renewed vigor. The startling, often comic results reveal an acid pen (and personality) that provoked the likes of Albert Camus and Jean Cocteau.” —James Tarmy, Bloomberg

“Curzio Malaparte moved back and forth politically and professionally like a ping pong ball—a Tuscan from Prato, his philology, philosophy and friendships make him a perfect exemplar of the adage: ‘Italy never ended a war on the same side on which she started.’ To say the least, despite prison, wars and disputatious behavior, he was a survivor par excellence. He wrote fascinating novels, including Kaputt, and my personal favorite, The Skin. His Diary of a Foreigner in Paris is a self-conscious record of a man-against-the-world’s desperate denouement. Malaparte is a Man Apart—a writer like no other.” —Barry Gifford

Curzio Malaparte (pseudonym of Kurt Eric Suckert, 1898-1957) was born in Prato, Italy, and served in World War I. An early supporter of the Italian Fascist movement and a prolific journalist, Malaparte soon established himself as an outspoken public figure. In 1931 he incurred Mussolini’s displeasure by publishing a how-to manual entitled Technique of the Coup-d’Etat, which led to his arrest and a brief term in prison. During World War II Malaparte worked as a correspondent, for much of the time on the eastern front, and this experience provided the basis for his two most famous books, Kaputt (1944) and The Skin (1949). His political sympathies veered to the left after the war. He continued to write, while also involving himself in the theater and the cinema.

Stephen Twilley is the managing editor of Public Books. His translations from the Italian include Francesco Pacifico’s The Story of My Purity and Marina Mander’s The First True Lie, and for NYRB Classics, Giuseppe Tomasi di Lampedusa’s The Professor and the Siren. He lives in Chicago.

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