
Audition
$22.56
- Paperback
288 pages
- Release Date
1 January 1981
Summary
Michael Shurtleff, casting director for Broadway shows like Chicago and Becket, and films like The Graduate and Jesus Christ Superstar, shares the secrets of his legendary auditioning course in this essential guide for actors. From the beginning student to the seasoned professional vying for that chance-in-a-million role, Shurtleff provides the “how-to” for unlocking your audition potential and launching your career.
Book Details
| ISBN-13: | 9780553272956 |
|---|---|
| ISBN-10: | 0553272950 |
| Author: | Michael Shurtleff |
| Publisher: | Bantam Doubleday Dell Publishing Group Inc |
| Imprint: | Bantam Doubleday Dell Publishing Group |
| Format: | Paperback |
| Number of Pages: | 288 |
| Release Date: | 1 January 1981 |
| Weight: | 147g |
| Dimensions: | 174mm x 105mm x 19mm |
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What They're Saying
Critics Review
“What a book! Yet it’s so
“A practical handbook [and] a bible for aspiring actors.”—The New York Times“Audition is absolutely indispensable to any aspiring or even mildly ambitious actor. There is no book of which I am aware that gives such first-rate, clear-cut, no-nonsense advice.”—Bob Fosse “What a book! What an achievement! Audition is the only book ever written that makes the reader understand the theatre.”—Joshua Logan“Immensely useful … A distillation of broad how-to-do-it wisdom.”—Variety “The subject matter is surprisingly universal (everybody has to audition for something sometime) and the inside tales are terrific… . What Stanislavsky was to acting, Michael Shurtleff is to auditioning.”—New York Post “Extraordinary … No actor will want to be without it.”—Estelle Parsons“An education—in theatre savvy, in self-knowledge.”—Publishers Weekly
About The Author
Michael Shurtleff
Michael Shurtleff worked as a casting director with Joshua Logan, Bob Fosse, Tom O’Horgan, Mike Nichols, Jerome Robbins, Gower Champion, Stuart Ostrow, David Merrick, and others. He also writes plays and novels, directs films, teaches his famous auditioning course, and regularly sees at least a dozen plays and films every week. He does as he advises his readers- “Everyday learn. Learn enough so you can do good theater.”
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