Boredom by Tom McDonough - ISBN: 9780262533447
Paperback
Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.

$53.12

  • Paperback

    240 pages

  • Release Date

    27 January 2017

Check Delivery Options

Summary

Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.Without boredom, arguably there is no modernity. The current sense of the word emerged simultaneously with industrialization, mass politics, and consumerism. From Manet onwards, when art represents the everyday within modern life, encounters with tedium are inevitable. And starting with modernism’s retreat into abstraction through subsequent demands placed on audiences, from the late 1960s to the present, the viewer’s endurance of repetition, slowness or other forms of monotony has become an anticipated feature of gallery-going.In contemporary art, boredom is no longer viewed as a singular experience; rather, it is contingent on diverse social identifications and cultural positions, and exists along a spectrum stretching from a malign condition to be struggled against to an something to be embraced or explored as a site of resistance. This anthology contextualizes the range of boredoms associated with our neoliberal moment, taking a long view that encompasses the political critique of boredom in 1960s France; the simultaneous aesthetic embrace in the United States of silence, repetition, or indifference in Fluxus, Pop, Minimalism and conceptual art; the development of feminist diagnoses of malaise in art, performance, and film; punk’s social critique and its influence on theories of the postmodern; and the recognition, beginning at the end of the 1980s, of a specific form of ennui experienced in former communist states. Today, with the emergence of new forms of labor alienation and personal intrusion, deadening forces extend even further into subjective experience, making the divide between a critical and an aesthetic use of boredom ever more tenuous.Artists surveyed includeChantal Akerman, Francis Al s, John Baldessari, Vanessa Beecroft, Bernadette Corporation, John Cage, Critical Art Ensemble, Merce Cunningham, Marcel Duchamp, Fischli & Weiss, Claire Fontaine, Dick Higgins, Jasper Johns, Donald Judd, Ilya Kabakov, Boris Mikhailov, Robert Morris, John Pilson, Sigmar Polke, Yvonne Rainer, Robert Rauschenberg, Ad Reinhardt, Gerhard Richter, Situationist International, Mierle Laderman Ukeles, Andy Warhol, Faith Wilding, Janet ZweigWriters includeIna Blom, Nicolas Bourriaud, Jennifer Doyle, Alla Efimova, Jonathan Flatley, Julian Jason Haladyn, The Invisible Committee, Jonathan D. Katz, Chris Kraus, Tan Lin, Sven L tticken, John Miller, Agne Narusyte, Sianne Ngai, Peter Osborne, Patrice Petro, Christine Ross, Moira Roth, David Foster Wallace, Aleksandr Zinovyev

Book Details

ISBN-13:9780262533447
ISBN-10:0262533448
Author:Tom McDonough
Publisher:MIT Press Ltd
Imprint:MIT Press
Format:Paperback
Number of Pages:240
Release Date:27 January 2017
Weight:567g
Dimensions:22mm x 152mm x 213mm
Series:Whitechapel: Documents of Contemporary Art
Audience Age:18
A-Format
B-Format
Boredom by Tom McDonough - ISBN: 9780262533447
152 × 213 mm
C-Format
A4
mm / in
About The Author

Tom McDonough

Tom McDonough is Associate Professor of Art History at Binghamton University, State University of New York. He is the author of “The Beautiful Language of My Century”: Reinventing the Language of Contestation in Postwar France, 1945-1968 (MIT Press).

Returns

This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.