Moby-Dick

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Penguin Drop Caps:
”[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering.”
“Fast Company”
Vibrant, minimalist new typographic covers . Bonus points for the heartening gender balance of the initial selections.
Maria Popova, “Brain Pickings”
“The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of “Great Expectations”? Because they re beautiful objects. Paul Buckley and Jessica Hische s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen s A (“Pride and Prejudice”) is formed by opulent peacock feathers and Charlotte Bronte s B (“Jane Eyre”) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf.”
Rex Bonomelli, “The New York Times”
“Drool-inducing.”
“Flavorwire”
“Classic reads in stunning covers your book club will be dying.”
“Redbook””

Herman Melville (1819-91) became, in his late twenties, a highly successful author of exotic novels based on his experiences as a sailor, writing in quick succession Typee, Omoo, Redburn, and White-Jacket. However, his masterpiece, Moby-Dick, was met with incomprehension, and other later works, which are now the basis of his reputation, such as Bartleby, the Scrivener and The Confidence-Man, were failures. Melville stopped writing fiction, and the rest of his long life was spent first as a lecturer and then, for nineteen years, as a customs official in New York City. He was also the author of the immensely long poem Clarel, which was similarly dismissed. At the end of his life, he wrote Billy Budd, Sailor, which was published posthumously in 1924.

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