The Sunlight Pilgrims

[A] vivid and tender coming-of-age story set at the end of the world … For all its coldness and darkness, The Sunlight Pilgrims is ultimately a hopeful book – and for a novel that describes the end of the world, that is quite a feat. – Kirsty Logan * Guardian *
Fagan received widespread acclaim for her 2012 debut The Panopticon, and was named as one of the prestigious Granta Best of Young British Novelists a year later. The Sunlight Pilgrims further cements Fagan’s reputation as a writer of skill and depth, a book that shares a similar outsider charm to its predecessor, and one that delves deep into how we relate to others on a human level in the face of all the crap that life throws at us … The author also, it should be said, writes like the poet that she is, with an original eye for description, a wonderful rhythm to her prose, and some genuinely inspiring and unusual characters. An impressive read. – Doug Johnstone * Big Issue *
The Sunlight Pilgrims evokes a chillingly plausible near-future … intimately imagined. – Paraic O’Donnell * The Spectator *
Fagan’s vivid, poetic-prose style injects the book with energy. She writes at the pace of thought, sentences like gunfire … She has a poet’s affection for precision and image. – Sophie Elmhirst * Financial Times *
Fagan is drawn to those who exist on the outer reaches, and in The Sunlight Pilgrims it is in the literal margins where a broader and yet more refined collection of voices is drawn together … The Sunlight Pilgrims is about the confluence of characters searching to fill the gaps in their lives … In the transgender 11-year-old Stella we have an engaging protagonist whose isolation is mental, physical and geographical, yet who is imbued with a survivalist’s steely resolve … In heightened poetic prose, Fagan does for rural Scottish fiction what Kathleen Jamie is doing in poetry and Amy Liptrot in non-fiction: evocatively documenting the ever-changing daily drama of the landscape … This is a novel about summoning hidden strengths and finding one’s place in a universe defined by chaos. * New Statesman *
Fagan …explores some big ideas; namely the environment, gender and familial structure. She addresses these themes with an infectious, otherworldly hilarity, assembling an eccentric cast of characters who triumphantly flout convention. * Times Literary Supplement *
It was with a degree of trepidation that I opened her new novel, The Sunlight Pilgrims, wondering if it would bear the weight of expectation. Thankfully, it does. It has the same combination of the weird and the all too real: the same concern for the marginal and the disposed. But it plays for higher stakes, and reaps greater rewards … I cannot wait to see what she does next. * Scotland on Sunday *
As soon as I read the other-worldly first sentence of Jenni Fagan’s The Sunlight Pilgrims, with its poetic rhythm and sense of impending doom, I had a feeling this was going to be something special … I devoured the rest of the poet and author’s beautiful and strange second novel … With poignant reminder of not just the fragility of human emotions but of life itself, The Sunlight Pilgrims is a novel about connecting with others … [it] tackles current issues with a haunting, timeless beauty. * Stylist *
Fagan is brilliant at creating empathy in the reader for her complex and uncompromising characters, so The Sunlight Pilgrims promises to be an emotional ride. * The Big Issue (2016 Books) *
In haunting prose Fagan creates a credible apocalyptic landscape and articulates the survival instinct and our capacity for love. * Mail on Sunday *

Jenni Fagan was born in Scotland. She won the Gordon Burn Prize for her memoir, Ootlin, which was also longlisted for the Women’s Prize for Non-Fiction. Her debut novel, The Panopticon, saw her selected as a Granta Best Young British Novelist, and her second novel, The Sunlight Pilgrims, gained her Scottish Author of the Year. Jenni has been listed for the Encore Award, the James Tait Black Memorial Prizes, the Desmond Elliott Prize, the Sunday Times Short Story Award, and the Pushcart Prize. She is a Doctor of Philosophy, a member of Liberty, and a Royal Society of Literature Fellow. She lives in Edinburgh with her son.

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