The Merchant of Venice

In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible-and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio's flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).

Selected by the Association of American University Presses as an Outstanding Book for Public and Secondary School Libraries, 2007

Burton Raffel (1928–2015) was Distinguished Professor of Arts and Humanities emeritus and professor of English emeritus at the University of Louisiana at Lafayette. Among his many edited and translated publications are Poems and Prose from the Old English, Cligès, Lancelot, Perceval, Erec and Enide, and Yvain. Harold Bloom (1930–2019) was Sterling Professor of Humanities at Yale University and Berg Professor of English at New York University. His many books include The Western Canon, Shakespeare: The Invention of the Human, and Genius: A Mosaic of One Hundred Exemplary Creative Minds.

In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible--and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio's flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).

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