A play about grief and looking at someone that little bit more closely. Written specifically for young people, Burying Your Brother in the Pavement was part of the 2008 National Theatre Connections Festival and was premiered by youth theatres across the UK.
A play about grief and looking at someone that little bit more closely. Written specifically for young people, Burying Your Brother in the Pavement was part of the 2008 National Theatre Connections Festival and was premiered by youth theatres across the UK.
A play about grief and looking at someone that little bit more closely.
Tom's brother Luke is dead. This has upset a lot of people but it hasn't upset Tom. Or, rather, it has upset him, but in ways he can't explain and other people can't understand. You see, Tom and Luke were never friends. In fact, Tom didn't really like Luke at all.
So it's an odd decision - to try and bury Luke in the pavement of the Tunstall Estate where he was killed. But to Tom, it sort of makes sense, in a stupid-weird kind of way. As he sleeps out on the pavement, he comes across planning officials, tramps, undertakers, police officers, sisters, mothers, estate agents, ghosts, pavement elephants, sky dragons and a strange lad called Tight who wants to sell him a Travelcard.
Written specifically for young people, Burying Your Brother in the Pavement was part of the 2008 National Theatre Connections Festival and was premiered by youth theatres across the UK.
'Holds a central place within the canon of challenging plays for young people... full of fantastic, carefully crafted characters... challenges the audience to rethink their relationships with those closest to them'— Drama & Theatre Magazine
'Holds a central place within the canon of challenging plays for young people... full of fantastic, carefully crafted characters... challenges the audience to rethink their relationships with those closest to them'
Drama & Theatre MagazineJack Thorne is a playwright and BAFTA-winning screenwriter.His plays for the stage include: When Winston Went to War with the Wireless (Donmar Warehouse, 2023); The Motive and the Cue (National Theatre and West End, 2023; Evening Standard Award for Best Play; Critics' Circle Award for Best New Play); After Life, an adaptation of a film by Hirokazu Kore-eda (National Theatre, 2021); the end of history... (Royal Court, London, 2019); an adaptation of Charles Dickens' A Christmas Carol (Old Vic, London, 2017); an adaptation of Büchner's Woyzeck (Old Vic, London, 2017); Junkyard (Headlong, Bristol Old Vic, Rose Theatre Kingston & Theatr Clwyd, 2017); Harry Potter and the Cursed Child (Palace Theatre, London, 2016); The Solid Life of Sugar Water (Graeae and Theatre Royal Plymouth, 2015); Hope (Royal Court, London, 2015); adaptations of Let the Right One In (National Theatre of Scotland at Dundee Rep, the Royal Court and the Apollo Theatre, London, 2013/14) and Stuart: A Life Backwards (Underbelly, Edinburgh and tour, 2013); Mydidae (Soho, 2012; Trafalgar Studios, 2013); an adaptation of Friedrich Dürrenmatt's The Physicists (Donmar Warehouse, 2012); Bunny (Underbelly, Edinburgh, 2010; Soho, 2011); 2nd May 1997 (Bush, 2009); When You Cure Me (Bush, 2005; Radio 3's Drama on Three, 2006); Fanny and Faggot (Pleasance, Edinburgh, 2004 and 2007; Finborough, 2007; English Theatre of Bruges, 2007; Trafalgar Studios, 2007); and Stacy (Tron, 2006; Arcola, 2007; Trafalgar Studios, 2007).His television work includes His Dark Materials, Then Barbara Met Alan (with Genevieve Barr), The Eddy, Help, The Accident, Kiri, National Treasure and This is England '86/'88/'90.His films include The Swimmers (with Sally El Hosaini), Enola Holmes, Radioactive, The Aeronauts and Wonder.He was the recipient of the Writers' Guild of Great Britain Award for Outstanding Contribution to Writing in 2022.
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