My Emily Dickinson

“One of our seminal works of creative scholarship.” – Michael Palmer “In the non-conformist tradition of William Carlos Williams’s In the American Grain and Charles Olson’s Call Me Ishmael, Susan Howe’s My Emily Dickinson reclaims the primacy of the poet’s voice in American literary criticism even as it redresses the troubling absence of women within those antecedents. In this groundbreaking and influential work, Howe explores Dickinson’s poems in all their radical indeterminacy and acoustical complexity, brilliantly revealing their explosive, modern power. My Emily Dickinson is visionary criticism at its best.” – Elizabeth Willis “As a poet and a critic she articulates precisely those soundings of uncertainty, those zones of failed or impaired utterance that constitute the literary history of America’s uneasy commerce with the world.” – Richard Sieburth - Times Literary Supplement

Author of more than a dozen books of poetry and two of literary criticism, Susan Howe’s recent collection of poems That This, published by New Directions won the Bollingen Prize in 2011. Her earlier critical study, My Emily Dickinson, was re-issued in 2007 with an introduction by Eliot Weinberger. Three CDs in collaboration with the musician/composer David Grubbs, Thiefth, Souls of the Labadie Tract, and Frolic Architecture were released on the Blue Chopsticks label (2005; 2011). Howe held the Samuel P. Capen Chair in Poetry and the Humanities at the State University New York at Buffalo until her retirement in 2007. The recipient of a Guggenheim Fellowship, she was elected to the American Academy of Arts and Sciences in 1999 and served as a Chancellor to the Academy of American Poets between 2000-2006. In fall, 2009 she was awarded a Fellowship to the American Academy at Berlin. Grenfell Press published a fine press edition of “Frolic Architecture with photographic prints by James Welling in 2009. Recently she was an Artist In Residence at the Isabella Stewart Gardner Museum in Boston. In October, 2013 her word collages were exhibited at the Yale Union in Portland, Oregon, and in the Whitney Biennial Spring, 2014. A limited press edition of Tom Tit Tot (the word collages which amount to a series poem) with art work by R.H. Quaytman has just been published by MoMA in New York, and Spontaneous Particulars:The Telepathy of Archives, (2014) published by Christine Burgin and New Directions. Eliot Weinberger is an essayist and translator, the editor of The New Directions Anthology of Classical Chinese Poetry, and the series editor of Calligrams: Writings from and on China (New York Review Books and Chinese University of Hong Kong Press). He lives in New York City.