In a playground just outside Copenhagen a woman is found dead with one hand cut off.
A small chestnut figure hangs over her.
Naia Thulin and Mark Hess are sent to investigate but they soon discover another woman has been brutally murdered. This time both her hands have been cut off.
And the chestnut figure is back.
Thulin and Hess soon suspect that these murdered women are connected to the missing daughter of Rosa Hartung, the Minister for Social Affairs, and work against the clock to stop the killer from striking again.
S ren Sveistrup (born 1968) is an internationally acclaimed script writer and film producer. He holds a master of Literature and History from the University of Copenhagen and graduated as a script writer from the Danish Film School. He is the creator and writer of The Killing which has won several international awards and has written scripts for The Day Will Come and Jo Nesb 's The Snowman.
Soren Sveistrup, is clearly a master craftsman Telegraph TV of the absolute finest quality . . . the writing shines Guardian Excellent . . . A shrewd mix of police procedural, political thriller and domestic drama New York Times Praise for The Killing - The Chestnut Man is an intensely gripping first novel that feels anything but debut-like. Seasoned crime fans with feel as though they're in very safe hands ... [Sveistrup] throws his hat into the ring with extreme professionalism and a talent for deploying his special tricks in precisely calibrated doses. Borsen Individual scenes in the narrative stand out knife-sharp in all their calculated evil. Their encounter with brutal reality nearly overwhelms those involved, and the reader is profoundly challenged by the novel's material. But you survive because you retain a clear sense that there must be a deep well of sorrow behind the crimes, and because the author depicts his cast of characters in such a nuanced way that you sympathise with the hard-pressed investigative team, the victims, and the person behind the terrible murders. Sveistrup keeps the reader gripped until the very end. This is professional writing in the very best sense, and I'm looking forward to more. Dagbladenes Bureau While other writers come across as formulaic, Sveistrup's plot develops naturally, and he finds space amid the child abuse and harassment for enough injections of humanity that The Chestnut Man never turns into violence porn, a stumbling block for several of his Danish colleagues. The key is Thulin and Hess, the most promising pair of investigators in Nordic crime since Saga and Martin first met over a corpse on a bridge in 2011 A-magsinet The ingredients in this stew are familiar to everyone who reads crime novels. Sveistrup's great skill becomes apparent in the solid, complex plot, as well as in the pacing and impact that drives the reader onward page after page. The Chestnut Man is a demonstration of how a novel of this type should be sewn together. The result is incredibly thrilling! Dagbladet Sveistrup is a skilled weaver of plot, able to surprise the reader and maintain a well-developed sense of pacing, tension and action. He keeps the reader hooked until the final page Bok 365 Crime fiction of the highest quality - fascinating characters, great storytelling, and unbearable suspense. I absolutely loved it Deon Meyer Simply so well written, well constructed and suspenseful. I've read a lot of fantastic crime novels, but this is far and away the best I've read in a long time. . . . insanely suspenseful and gripping RandiGlensbo.dk A powerful portrait of two intriguing detectives who are here to stay . . . Vildmedkrimi.dk This nerve-racking debut novel has a brilliant plot . . . Ugebladet Sondag Not all good scriptwriters can produce a detective story designed to be read rather than watched on TV. But Soren Sveistrup, the man responsible for The Killing, proves . . . that it can be done . . . The characters, the plot with its deep, eerie undercurrent of the unknown, and the intense, compelling manipulation of suspense are qualities reminiscent of The Killing Marie Louise Toksvig Absolutely fantastic crime novel. The plot keeps you gripped, and you always end up wanting to read just one more page. Nerve-racking. Nail-biting. Thrilling. Hair-raising Krummeskrummelurer.dk Simply an unparalleled page-turner Ord fra en bibliofil Nerve-racking, you're sitting on the edge of your seat, and by the time you've finished the book you've got no nails left Livetidukkehuset.dk Sveistrup sets new standards in crime bogfriisen.dk I was completely blown away by this debut novel sidsesbogreol.dk Sveistrup keeps the reader gripped until the very end Dagbladenes Bureau A tension-charged debut, sharing elements of his signature TV writing with incendiary twists Financial Times Inside Soap's Hot List Inside Soap If you are one of the millions who enjoyed the Scandinavian crime series The Killing, you'll want to read the first novel by its creator. . . this will undoubtedly make for a compelling television adaptation The Observer Evening Standard Best Books of 2019 London Evening Standard A debut thriller from the creator of The Killing opens with a gruesome discovery in a Copenhagen suburb Guardian Books of 2019 BBC Top Fiction Picks of 2019 BBC.co.uk The action surges along in swinging the spotlight of suspicion around without ever letting the reader feel confident they have the right culprit, and the denouement is intense and very gory Strong Words if you are one of the millions who enjoyed The Killing, you'll want to read the first novel by its creator. Sveistrup's ability at building tension is evident, and this will undoubtedly make for a compelling television adaptation Guardian Sviestrup shows off his Scandi-noir know-how in this Stieg Larsson-worthy mystery featuring blood-curdling murders and a couple of ill-assorted investigators Foyles A nail-biting, atmospheric thriller The Herald Superbly written and carries you along at breakneck speed. If you liked The Killing, you are going to love this My Weekly A taut, high-octane thriller. Sveistrup snares his reader with his house-of-horrors opening and keeps us gripped. . . suffice to say that he leads and wrongfoots us through numerous twists, turns, cliff-hangers and red herrings to an outcome which is as bold as it is explosive. He makes every page count - it's a joy to be so immersed on the edge of a seat The Herald As in The Killing television series, Sveistrup offers lessons to seasoned practitioners of the serial-killer whodunit in how to inject new energy into this near-exhausted subgenre, and a reminder (via his portrayal of the families, homes and workplaces that his cops visit) that crimewriting has the potential to be eye-opening, panoramic social realism Sunday Times A full-throttle thriller in the tradition of classic Stieg Larsson, drenched in atmosphere and charged with adrenaline. Buckle up. You'll gulp down every word. I loved this book A.J. Finn, author of The Woman in the Window The Chestnut Man has success written all over it. You will never want to play with conkers again Daily Express Creepy, clever and packed with tension The Sun Sveistrup's brilliant and brutal The Chestnut Man sets a new benchmark. The Steig Larsson comparisons seem unfair - on Sveistrup. He is quite simply in another league. Scandi noir is back with a bang with this sensational debut novel Metro
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