This is a study of Raymond Carver, which seeks to show that, beneath a surface of apparent simplicity, a self-referential metafiction emerges. It reveals the intricate texture and strategic juxtapositions through which Carver's short story collections become a reflection on themselves.
This is a study of Raymond Carver, which seeks to show that, beneath a surface of apparent simplicity, a self-referential metafiction emerges. It reveals the intricate texture and strategic juxtapositions through which Carver's short story collections become a reflection on themselves.
This is a study of Raymond Carver, which seeks to show that, beneath a surface of apparent simplicity, a self-referential metafiction emerges. It reveals the intricate texture and strategic juxtapositions through which Carver's short story collections become a reflection on themselves.
Randolph Paul Runyon is professor of French at Miami University in Ohio. He is the author of The Braided Dream: Robert Penn Warren's Late Poetry, The Taciturn Text: The Fiction of Robert Penn Warren, In La Fontaine's Labyrinth: A Thread Through the Fables, and The Art of the Persian Letters: Unlocking Montesquieu's "Secret Chain."
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