The Other Boleyn Girl

Henry VIII's court is a stage for love and treachery, where the weapons of choice are sex, marriage – and the executioner's axe. As Henry's mistress, Mary Boleyn is a pawn in her family's lust for power. Queen Katherine of Aragon hasn't produced a male heir, and Mary's ruthless uncle scents the chance of putting his niece on the throne.

But Henry's wandering eye has fallen on another: Mary's headstrong sister, Anne, whose ambition not only threatens to destroy her bond with Mary, but shakes the foundations of Church and State.

Based on Philippa Gregory's internationally bestselling novel, The Other Boleyn Girl is a brilliant evocation of intrigue at the Tudor court – a racy and riveting drama of events that changed the course of English history. This stage adaptation by Mike Poulton was premiered at Chichester Festival Theatre in 2024, directed by Lucy Bailey.

'A fascinatingly unfamiliar story... a crowd-pleaser... a full-bodied and really enjoyable evening'

'High stakes courtly manoeuvring... brings the sexual strategising of the conniving Boleyn family sharply to life... shows how the sisters refuse to be passive victims... feels almost Shakespearean'

'Stylish and well crafted'

'Canny and serious-minded... Mike Poulton – who did the acclaimed RSC adaptation of Wolf Hall and Bring Up the Bodies – brings his expert eye to the story, distilling it into a solid three-hour drama... it valuably replays the hazardous game the Boleyns got embroiled in... poignant and astute'

'Gripping... rarely has the transactional role of marriage or childbirth in these times been laid out more starkly than in Mike Poulton's elegant adaptation'

'Highly atmospheric... tense and chilling... the violence of King Henry's court is a silent, looming presence... an irresistible take on this hushed-up slice of history'

'Properly thrilling... very classy... Mike Poulton knows his Tudor world, having brilliantly brought the first two of Hilary Mantel's Cromwell trilogy to the stage... The whole thing is just very, very good: it holds together, and holds the heart... a real sympathetic urgency throbs through the story... Altogether terrific'

'Will enchant lovers of historical fiction and period dramas'

'Sumptuous'

'Stunningly triumphant... a truly fascinating and powerful story, a thriller indeed, and this atmospheric production takes us right to the heart of it'

Philippa Gregory is an English novelist, acclaimed worldwide for her  historical fiction. Her novels include The Other Boleyn Girl (2001) and The White Queen (2009).Mike Poulton is an award-winning dramatist whose many adaptations and translations for the stage include: Philippa Gregory's The Other Boleyn Girl (Chichester Festival Theatre, 2024); Robert Harris's Imperium (Royal Shakespeare Company); The York Mystery Plays (directed by Philip Breen at York Minster); Hilary Mantel's Wolf Hall and Bring Up the Bodies (directed by Jeremy Herrin for the Royal Shakespeare Company); Dickens's A Tale of Two Cities (directed by James Dacre at the Royal & Derngate, Northampton); Fortune's Fool (directed by Lucy Bailey at the Old Vic, London); Chekhov's Uncle Vanya (directed by Lucy Bailey at The Print Room, London); Schiller's Luise Miller (directed by Michael Grandage for the Donmar Warehouse, London); Anjin: The English Samurai (directed by Gregory Doran for Horipro in Tokyo); Malory's Morte d'Arthur (directed by Gregory Doran for the Royal Shakespeare Company); Schiller's Wallenstein (directed by Angus Jackson at Chichester Festival Theatre); Schiller's Mary Stuart (directed by Terry Hands at Clwyd Theatr Cymru); Ibsen's The Lady from the Sea (directed by Lucy Bailey at Birmingham Repertory Theatre); Chekhov's The Cherry Orchard (directed by Philip Franks at Chichester Festival Theatre, and Terry Hands at Clwyd Theatr Cymru); Ibsen's Rosmersholm (directed by Anthony Page at the Almeida Theatre, London); Strindberg's The Father (directed by Angus Jackson at Chichester); Myrmidons (directed by Simon Coury at the Samuel Beckett Theatre, Dublin); and a two-part adaptation of Chaucer's Canterbury Tales (directed by Gregory Doran for the Royal Shakespeare Company, and performed at the Swan Theatre, Stratford-upon-Avon, in the West End, and on tour of the US and Spain).His acclaimed version of Schiller's Don Carlos premiered at the Sheffield Crucible in a production directed by Michael Grandage with Derek Jacobi as King Philip II of Spain. It has since been widely performed, including by Rough Magic Theatre Company in Dublin (directed by Lynne Parker), and at the Göteborgs Stadsteater (directed by Eva Bergman). Other productions include Ibsen's Hedda Gabler (West Yorkshire Playhouse/Liverpool Playhouse); Turgenev's Fortune's Fool (directed by Arthur Penn at the Music Box Theater, Broadway; nominated for a Tony Award for Best Play, and winner of seven major awards including the Tony Awards for Best Actor for Alan Bates and Best Featured Actor for Frank Langella); Uncle Vanya (directed by Michael Mayer at the Brooks Atkinson Theatre, Broadway; with Derek Jacobi, Roger Rees and Laura Linney); Three Sisters (directed by Bill Bryden at the Birmingham Rep; with Charles Dance); Ghosts (Theatre Royal Plymouth); The Seagull, Three Sisters, The Dance of Death and an adaptation of Euripides' Ion (all directed by David Hunt at the Mercury Theatre, Colchester).He was made an Associate Artist of the Royal Shakespeare Company in 2017.

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