The Biography of the Object in Late Medieval and Renaissance Italy, 1st Edition by Roberta J.M. Olson - ISBN: 9781405139557
Paperback
An investigation of the way objects are created, used and re-used in the context of Italian Renaissance art. * Discusses a variety of objects, from glassware, through sculpture and prostitutes’ jewellery, to miraculous painted images.

The Biography of the Object in Late Medieval and Renaissance Italy, 1st Edition

  • Paperback

    156 pages

  • Release Date

    19 April 2006

Summary

Material culture is not static: objects are created, used and re-used, sometimes for centuries, and their lives interact with those of the people who made and used them. The essays in this book discuss the ‘social lives’ of objects in late-medieval and renaissance Italy, ranging from maiolica, through sculpture and prostitutes’ jewellery, to miraculous painted images.

  • Demonstrates the continued life of these objects well past the deaths of their creators and patrons.
  • Contain…

Book Details

ISBN-13:9781405139557
ISBN-10:1405139552
Author:Roberta J.M. Olson, Patricia L. Reilly, Rupert Shepherd
Publisher:John Wiley and Sons Ltd
Imprint:Wiley-Blackwell
Format:Paperback
Number of Pages:156
Edition:1st
Release Date:19 April 2006
Weight:254g
Dimensions:230mm x 155mm x 9mm
Series:Renaissance Studies Special Issues
What They're Saying

Critics Review

“All in all, this is a useful, at times thought-provoking, and never less than informative collection of essays.” ( Sixteenth Century Journal , Winter 2008)

“All in all, this is a useful, at times thought-provoking, and never less than informative collection of essays.” (Sixteenth Century Journal, Winter 2008)

About The Author

Roberta J.M. Olson

Roberta J.M. Olson is Professor Emeritus of Art History at Wheaton College in Massachusetts. She has worked as Curator of Drawings at the New-York Historical Society for seven years.

Patricia L. Reilly is Assistant Professor of Art History at Swarthmore College. She is currently finishing a book on Raphael, Giorgio Vasari and the development of what she terms the ‘Florentine Visual Vernacular’.

Rupert Shepherd is based in the Department of Western Art at the Ashmolean Museum. His previous employment included two years as a research fellow at the University of Sussex, working on the collaborative project The Material Renaissance: Costs and Consumption in Italy c.1300-1650.

Returns

This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.