Man in the Picture

A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.

A tale brimming with excitement, mystery and vitality ... The story unfolds at a thriller's pace The Times
Hill is a writer with the courage of her convictions who knows that there are few things more enjoyable than the inexplicable and eerie, conveyed within an accomplished and solidly reassuring framework Independent
Like all the classic ghost stories, Susan Hill's begins in traditional spooky style with the winter wind howling off the fens and bursts of hailstones rattling against the windows ...This is a Hill Hallowe'en special. No mistake Daily Mail
A plain but effective style that chills the blood Guardian

Susan Hill has been a prolific writer since 1963. She was a presenter of BBC Radio 4's Bookshelf. She has won the Somerset Maugham Award (for I'm the King of the Castle); the Whitbread Novel Award and the John Llewellyn Rhys Prize. Her sequel to Rebecca, Mrs de Winter, was a big bestseller and her short story The Woman in Black was adapted to the stage and has been running in the West End for 18 years. She is the author of a highly successful crime series published by Chatto & Windus. Bloomsbury will be publishing her latest children's story in 2008.

The chilling tale of a painting so terrifying, its secrets will haunt those who see it A ghost story by the author of The Woman in Black, to be read by the fire on a cold winter s night. A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.

This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.